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Michael Wm. Kaluta’s Mermaids
by Carolyn Turgeon

January 30, 2011
Michael Wm. Kaluta
CHECKLIST
So legendary comic book artist Michael Wm. Kaluta lives in a beautiful, jam-packed New York City
apartment filled to the brim with wonders. There are books from floor to ceiling practically that he can
pull out and open to pages you can just fall into… old old storybooks with ladies draped around the
first letter of every chapter, crumbling books you’ve never heard of with passages he’ll read to you
that will break your heart wide open. And then there are his own colorful images all around, each of
them opening into some new world… And in the main room, right above the television – where, a
year ago, he and I sat down for a Marlene Dietrich festival because he is the kind of man who can
appreciate him some Marlene, and let’s face it that is the best kind of man to be – is one of his famous
mermaids, her long long tail swooping down and weirdly, wonderfully, turning into the feathers of a
peacock…


Here’s a semi-menacing photo of Michael (who is in fact very sweet unless you happen to be a
slow-moving pedestrian, and who is regularly moved to tears by loveliness) at his desk taken by
photographer extraordinaire
Kyle Cassidy:
And here he is being slightly less menacing with yours truly at Carnegie Hall,
seeing Max Raabe and the Palast Orchester. I know, it was very fancy.
And here are some of his mermaids, a few of my favorites pieces… because who wouldn’t
like to hold a mermaid in hand and swim along the ocean floor with some mermaid sprites,
dipping into sunken treasures?
I recently sent Michael some questions about his mermaids and mermaids generally, and in his ornate
and gentlemanly fashion he replied thusly:

What is it about mermaids that you find so alluring?

MK:
 Part of the allure of mermaids has to be their sinuous physicality, embodying in their shape the
mysterious artful movement of women, combined with the Mermaid’s unavailability. I’m not attracted
by the “tempting sailors to their deaths” part of their brief. I know I could never swim to their rocky
island havens… but seeing them out of reach, having them offer charms and graces and the heavy
suggestion of physical intimacy while my nature forces me to only observe… observe and fantasize:
that makes for a very strong attraction point, embracing their mythos, not their promises.

Do you have any specific attraction to the sea… or are mermaids more purely creatures of
the imagination to you?

MK:
 The sea has always frightened me in a thrilling, never-ending way; I’m drawn to it but very
cautious of edging too close. I can stand in amazement on its shores and let its rolling depths inspire
“all sorts of stuff”. The sea has that permeable, ever-changing but eternal surface under which anything
can be right at your feet without you ever having an inkling. There’s a Robert E Howard line from his
novel ALMURIC: “My mind peopled the distance with nightmare shapes.” That sums up my take on
The Sea as metaphor for What Lies Beneath, The Unconscious, The Hidden, the “PLEASE Don’t
Jump Up Out Of The Ocean And Eat Me” frame of respect. Adding Mermaids to The Sea allows
me to understand and accept its awesomeness vicariously. Mermaids are very At Home in the Sea…
what mysteries it has for them aren’t things that I’d ever have to come to grips with. My fears are
their commonplaces. By letting myself identify with a Near-Human creature that is accustomed to the
deeps and shallows, friends, or at least associates with all it contains allows me safe access to that
wonderland. Once safely underwater as a being who belongs there, I can begin to shape their realities
and my fears into strong, evocative imagery another land-bound individual can respond to without
getting wet.

Have you always been attracted to magical figures, and mermaids in particular?

MK:
 As a child Mermaids were, perhaps, the least considered of The Magical Creatures. I grew up
surrounded by fields, copses, swampy bottom land and briar patches… the only water, except during
a Cape Cod Vacation, was a creek, runnel or even more likely: a mud puddle. The most secret place
in that youth was that several inches under a ground cover of may apples… their palmate leaves made
a false floor to the woods: if you lay down and looked under them, there was an entire level unseen
where little people and other small things could abide. This area wasn’t mysterious at all, nor was any
part of the woods. I didn’t think often of centaurs, unicorns or dragons, but I did have a definite
Giant: he came out at night, way across the fields, sweeping the ground with a light he held in his
hand… He’s probably still there, but turned into a tower on the prison on the island in the river next
to Pittsburgh, Pennsylvania.

There was also a Witch’s bower… I never saw the Witch, but the old bushel baskets, clay flower
pots, crushed reeds and woven vines that combined to make her nest among the blackberry patch
was all I needed to evoke the certainty of her existence.

What is it that you like about drawing / painting them?

MK:
 Mermaids are so perfectly Art Nouveau: graceful design motifs. I’m naturally inclined to
construct stories in picture form to try, by capturing their essence, to enhance the impact of my
visual argument. I feel I do my best work when I rely on a visceral reaction to the shapes the
individual elements take on, and Mermaids, having such a terrifically evocative shape in themselves,
propel me well on my way to a good composition without me having to work from the blank page.

The content of a piece, its “why,” increases dramatically when the shape of a Mermaid is present:
because they live inside peoples minds, bringing a Mermaid into a picture also brings their hidden
associations into the art.

Over the years, have you refined the way you approach drawing/painting them?

MK:
 The more I learned about human anatomy and the more I studied fauna the better I could
imagine mermaids. I can remember the day I woke up from the common illusion of Mermaids being
Women With Tails to the idea Mermaids had the FORM of women, but were creatures in their own
right, was the day I began to pay attention to their gills… Eventually gills became quite a strong part
of the design element. From my early days of happy, zoftig Mermaids to my days of webbed, gilled
seaweed haired ocean dwellers was a series of epiphanies, each one more Ah-HA than the
previous… the result was going to books about fish for Mermaid reference as opposed to photo
collections of beautiful women.

Why did you once declare that you would only draw mermaids, robots, and mushrooms?

MK:
 I’d become tapped out drawing the Comic Book Heroes so often asked for when I’d do
sketches at Comic Book Conventions. I had a personal belief that each new sketch should have
something different than the previous sketches… as imaginative as I felt I was, I ran out of new
poses. But with Robots, Mermaid and, of course, Mushrooms, the field was open again! I doubt I
could ever run out of compositional ideas using Mermaids!

During the time of the Robot, Mermaid, Mushroom era, I did ONE drawing of The Shadow for a
really avid Shadow fan… but I drew him as a fish…

Are you a fan of any other mermaid artists, or any specific mermaid art (including movies,
books, etc)?

MK:
 I’m a fan of all the Mermaid Art I’ve ever seen: the subject doesn’t seem to allow for Bad or
Dull art. I couldn’t begin to list the terrific Mermaid art that’s out there: hardly a week passes that my
attention isn’t drawn to yet another marvelous Mermaid depiction, often by an artist I’ve never heard
of before. Folks who frequent your Mermaid Site will get a good overview of what’s out there for the
Mermaid Watcher.

Have you found that people respond to your mermaids in any special, specific way (as
opposed to the rest of your art)? That, is do you find that mermaids hold a special attraction
for people generally?

MK:
 There are people who ONLY like my mermaid art, and others who would only care for a
Mermaid Drawing if Bat Man were riding her back. Fairly often someone who finds my Mermaid
Art delightful, looks me up and finds the “other” art… I get emails from these folks, expressing their
happiness at being led to my work through their love of Mermaids.

What about mermen? Have you ever drawn one, or cared?

MK:
 Several: big guys!!! I can’t say I’ve yet done an iconic Merman, but I think I’ve captured some
fine Mermaid images that’ll stand the test of time and taste.

As an expert of sorts, do you have any advice for aspiring mermaids?

MK:
 I’d blush to put forth my ideas of What Becomes a Mermaid Most. I could offer my images
as possible evocations of “Mermaidliness,” though it seems a cheeky thing to do. I’d be way out of
my depth in any other capacity.
All art copyright Michael Wm. Kaluta and the respective owners.
December 2013 Issue